Weiner, The trombone: Changing times, changing slide positions, BB, № 36, с. Weiner, André Braun’s Gamme et Méthode Pour Les Trombonnes revisited, HBSJ, № 11, с. Weiner, When is an alto trombone an alto trombone? When is bass trombone a bass trombone? – The makeup of the trombone section in eighteenth- and early nineteenth-century orchestras, HBSJ, № 17, с. Weiner, Trombone slide lubrication and other practical information for brass players in Joseph Fröhlich’s Musikschule (1813), HBSJ, № 21, с. Weiner, Aurelio Virgiliano’s Nuova intavolatura di tromboni, HBSJ, № 23 Weinmann, Johannes Tinctoris (1445–1511) und sein unbekannter Traktat ‘De inventione et usu musicae’ Weller, Der Blasinstrumentenbau im Vogtland von der Anfängen bis zum Beginn des 20. Whitwell, Band Music of the French Revolution Woltjer, Schott: A music publisher producing musical instruments, JAMIS, № 42, с. Woodfill, Musicians in English Society from Elizabeth to Charles I Xue, Zhongguo yinyue shi yueqi pian (Chinese Music History – Instruments) Zak, Music als ‘Ehr und Zier’ im mittelalterlichen Reich Zheng, Dunhuang bihua yuewu yanjiu (Study of Music and Dance in Dunhuang Murals) Ziolkowski, Bucina: A distinct musical instrument’?, HBSJ, № 14, с. Žůrková, Josef Šediva (1853–1915) and his collection of musical instruments at the National Museum – Czech Museum of Music in Prague, GSJ, № 69
0 Comments
Leave a Reply. |